Spectres - Condition

Spectres - Condition

  • £20.00


Spectres release their second album Condition via Sonic Cathedral. The follow-up to their acclaimed 2015 debut, Dying, it was recorded by Dominic Mitchison in the band’s adopted home city of Bristol and mastered by Frank Arkwright (Mogwai, 65daysofstatic) at Abbey Road in London. It’s louder and more abrasive than their debut, but also a real progression. It sounds huge and adds a genuinely innovative and confrontational edge, partly inspired by last year’s remix album, Dead, which saw everyone from Factory Floor to Richard Fearless instructed to “kill” the songs from Dying. “There were discussions about experimenting with electronics, but the idea soon petered out when we realised we still wanted to experiment with guitars,” reveals singer and guitarist Joe Hatt. As a result tracks such as End Waltz have a relentlessly pounding, almost techno structure, in contrast to the kinetosis-inducing dirge of Dissolve – the first single from the album that came with a suitably stomach-churning video late last year. Elsewhere the almost restrained (by Spectres’ standards) white noise and wordplay of A Fish Called Wanda and the sprawling Colour Me Out are counterbalanced by brutal assaults such as Neck and Welcoming The Flowers, which keeps threatening to drown itself in its own roiling diamond sea.

Tracklist

A1 The Beginning Of An End
A2 Rubber Plant
A3 Dissolve
A4 Neck
A5 A Fish Called Wanda
B1 Welcoming The Flowers
B2 Colour Me Out
B3 End Waltz
B4 Coping Mechanism